Quote:
Originally Posted by rhoyaltempest
The entire fraternal movement in America began with the Masons so I'm sure their influence is all over the things we all do as GLO's and BGLO's were definitely influenced by GLO's that came before them. But I think the reason why some do not like the copying that other orgs are doing regarding what we do as NPHC orgs, is because these "unique" practices that our orgs created or put a spin on have a history and a meaning behind them no matter when they started exactly. Most people who are copying don't even know or care about that history. I think this is why some people have such a problem. For some it goes really deep and they feel like they're being robbed of something, just as we have been of many things in this country, in the world. I've noticed in working with Black youth especially that we are very protective of the things we create or add uniqueness to...our style, our slang, our traditions, etc. I think this is the deeper issue for some...this is the "real" issue.
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The only history or meanings I recognize are the ones in our offical tools. Shoot, other folx collected elephants way before Deltas did. And yes I lived "stepping" being derived from dance steps, marching bands, drum and bugle corps, etc., and other precision step avenues. So yes, we may have put a spin on them, but we did not create them, not were they that unique.
So please enlighten me and tell me the deep meaning behind it, as well as calls, hand signs, and crossing jackets--to the point that we are offended at others doing these things. Somehow I missed that in my 38 years as a continually active Delta.
Lastly, if there is such a deep meaning behind stepping, why are there lewd gestures included in some shows, and women pay "tributes" to frats with tongues hanging out, grit faces, copying the lewd gestures of frats, ape walking, etc.? This to me negates any deep (and assuming positive) meaning behind stepping.
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