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Old 12-07-2004, 03:04 PM
SapphireSphinx9 SapphireSphinx9 is offline
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Why You Crying: My Long, Hard Look at Life, Love, and Laughter - George Lopez
review from amazon
Product Description:
In this eagerly awaited autobiography, comedian and prime-time television star George Lopez tells the heartbreaking yet humorous story of his inspirational rise from dead-end kid in the Valley to giving a command performance before the president of the United States.

It is a rare story that touches us so deeply with its humor, sadness, and powerful message that it transcends the walls of race, culture, and class that divide us.

Why You Crying? is just such a story.

Abandoned by his migrant-worker father at the tender age of two months, deserted by a wild, mixed-up mother at the age of ten years, Lopez grew up angry, alone, teased, and tormented in California's San Fernando Valley, raised by grandparents who viewed love as a four-letter word.

Inspired by his idols, Freddie Prinze Sr. and Richard Pryor, Lopez sets out on a tumultuous twenty-year journey into the manic world of stand-up comedy -- trying to learn a skill nobody can teach; scoring one night and bombing the next; fighting anger, alcohol, depression, and doubt all while battling the barriers built to keep Chicanos from breaking through, especially on network TV.

Today, the George Lopez show is a prime-time hit on ABC and his sold-out stand-up performances attract thousands of fans of all ages, each drawn to the sidesplitting riffs mined from a life so sad it had to be funny. Why You Crying? takes an outsider from the San Fernando Valley to Warner Bros. studios to inside the Emmys to plush Pebble Beach and all the way to the halls of Harvard.

Along the way it's pure G. Lo -- raw, real, and, ultimately, uplifting


Pride and Prejudice - Jane Austen
review from amazon
Elizabeth Bennet is the perfect Austen heroine: intelligent, generous, sensible, incapable of jealousy or any other major sin. That makes her sound like an insufferable goody-goody, but the truth is she's a completely hip character, who if provoked is not above skewering her antagonist with a piece of her exceptionally sharp -- but always polite -- 18th century wit. The point is, you spend the whole book absolutely fixated on the critical question: will Elizabeth and Mr. Darcy hook up?

Product Description:
A perennial favorite in the Norton Critical Editions series, Pride and Prejudice is based on the 1813 first edition text, which has been thoroughly annotated for undergraduate readers.
"Backgrounds and Sources" includes biographical portraits of Austen by members of her family and by acclaimed biographers Claire Tomalin and David Nokes. Seventeen of Austen's letters—eight of them new to the Third Edition—allow readers to glimpse the close-knit society that was Austen's world, both in life and in her writing. Samples of Austen's early writing—from the epistolary Love and FriendshipA Collection of Letters—allow readers to trace her growth as a writer as well as to read her fiction comparatively.

"Criticism" features eighteen assessments of the novel by nineteenth- and twentieth-century commentators, six of them new to the Third Edition. Among them is an interview with Colin Firth on the recent BBC television adaptation of the novel. Also included are pieces by Richard Whately, Margaret Oliphant, Richard Simpson, D. W. Harding, Dorothy Van Ghent, Alistair Duckworth, Stuart Tave, Marilyn Butler, Nina Auerbach, Susan Morgan, Claudia L. Johnson, Susan Fraiman, Deborah Kaplan, Tara Goshal Wallace, Cheryl L. Nixon, David Spring, Edward Ahearn, and Donald Gray.

Also included are a Note on Money, a Chronology of Austen's life and work—new to the Third Edition—and an updated Selected Bibliography.

About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehenive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.


The Grapes of Wrath - John Steinbeck
review from amazon
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.
The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak

Product Description:
MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independ ent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.
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