CT4 signaled that Kelli was ready to start the wedding. She heard the DJ began to play Maxwell's "Matrimony-Maybe You" for the processional. CT4 stepped out of the back room wearing her dress (see above) and Michael met her at the door to walk her up the aisle. CT4 was still crying. She noticed some folks were missing, but the show must go on. This was not about who was missing, but about who was returned and about to begin their lives together. CT4 made it to the altar that she had delivered to The Pyramids and she and Michael separated. Michael stood beside Bobby Earl.
Kelli stepped out of the back door and began to walk up the aisle headed towards her groom. She was radiant as she glowed and sashayed up the aisle in her dress.
Kelli made it to the altar and took Bobby Earl's hand. She shrieked in surprise when she saw Stevie Wonder walk out and sit at the piano and begin to play Ribbon in the Sky. As he sang, CT4 had a Power Point Presentation play of Kelli and Bobby Earl. . .
Stevie finished his musical tribute to the couple and the minister proceeded with the vows. When he pronounced them man and wife, OOOOO OOOOOPs and YO YOs could be heard throughout the building. Doggystyle who had arrived looked down right nauseous.
The bride and groom walked down the aisle together and went to take wedding pictures in front of the waterfall as the cleaning crew hurried to get the chairs and tables assembled for the reception.
CT4 ordered the wait crew to begin offering hors d'oeuvres (
) to the guests. She had others preparing the glasses of champagne for the first toast to the happy couple.
After the couple finished taking pictures, they moved to the center of the dance floor to have their first dance as husband and wife. Kenny Lattimore's "For You" had never sounded so sweet to them before.
After the first dance, a toast was raised from Bobby Earl to his wife pledging his love and fidelity for the rest of their lives. Then he raised a toast to CT4 for helping two soul mates come together.
Meanwhile in the reception hall. . .