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Scriptwriter looking for help
I'm Mike Ellis from Austin, Texas, and I hope I can get some help on this site.
I've got a job writing a script that deals (in part only) with a college freshman going through rush. My problem is that I went through only informal rush more than 20 years ago and I didn't actually pledge after that. I need to find some people who are willing to answer some basic questions for me. This is the first script I've written for these people, and I want to get the details right. Any help would be appreciated. |
If the questions are basic, you should be able to find information by browsing the recruitment threads.
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Thanks. I've been doing that, and I've been reading just about every online recruitment schedule I can find, but they don't explain some basic things.
For example, it seems as if most school have only a few days for "rush" (I gather that term isn't used in a lot of places anymore). It starts with some kind of orientation/overview/introduction to all the chapters. Then there are a few days to go to event held by specific houses. But I don't find much online to explain what happens to the student who wants to get to know 2 or 3 houses before before making a choice? It seems like students are given very little time to make what could be a very important decision. Realistically, how much time does a guy have to get to know the houses and make a choice before he runs out of time? |
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Your best bet is to go to the Greek life page of a school that resembles the school in your screenplay and go from that description. Fraternity rush varies widely from school to school. |
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I like the suggestion about basing the university in the script on one real university and then just copying what they do. I'm going to be spending a lot of time reading the various fora here, but I still hope it's cool if I post specific questions and get feedback. I don't want to be obnoxious, but I do want the information. |
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Wouldn't it be easier if he walked over to some of the fraternity houses at UT and asked them? I know, stupid question about the obvious.
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After the script is written you have to WGA it. I will tell you the odds of representation is little. No production company will open an unsolicited script. I can also tell you that unless you have a VERY unusual spin (all other things being conquered) you will be smack in the way of legal challenges because the script has been done...and done.
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